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1 very end of the Late Gothic style
English-German dictionary of Architecture and Construction > very end of the Late Gothic style
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2 Santa Maria dei Frari (Franciscan church in Venice, originally built in the mid-13th century but rebuilt in Gothic style in the 15th century)
Религия: собор Санта-Мария деи ФрариУниверсальный англо-русский словарь > Santa Maria dei Frari (Franciscan church in Venice, originally built in the mid-13th century but rebuilt in Gothic style in the 15th century)
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3 Santa Maria Novella (Italian Gothic-style church of the Dominicans in Florence)
Религия: собор Санта Мария Новелла во ФлоренцииУниверсальный англо-русский словарь > Santa Maria Novella (Italian Gothic-style church of the Dominicans in Florence)
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4 style
1. noun1) (a manner or way of doing something, eg writing, speaking, painting, building etc: different styles of architecture; What kind of style are you going to have your hair cut in?; a new hairstyle.) estilo2) (a fashion in clothes etc: the latest Paris styles; I don't like the new style of shoe.) moda3) (elegance in dress, behaviour etc: She certainly has style.) estilo, clase, elegancia
2. verb1) (to arrange (hair) in a certain way: I'm going to have my hair cut and styled.) marcar, peinar2) (to design in a certain style: These chairs/clothes are styled for comfort.) concebir; diseñar•- stylish- stylishly
- stylishness
- stylist
- in style
style n1. estilo2. modelo / modatr[staɪl]1 (gen) estilo2 (type, model) modelo, diseño3 (of hair) peinado4 (fashion) moda5 formal use (correct title) título6 SMALLBOTANY/SMALL estilo2 formal use (name, title) llamar\SMALLIDIOMATIC EXPRESSION/SMALLto be somebody's style ir con alguien, irle a alguiento do something in style hacer algo a lo grande1) name: llamar2) : peinar (pelo), diseñar (vestidos, etc.)carefully styled prose: prosa escrita con gran esmerostyle n1) : estilo mthat's just his style: él es asíto live in style: vivir a lo grande2) fashion: moda fn.• elegancia s.f.• estilo s.m.• forma s.f.• lenguaje s.m.• moda s.f.• pistilo (Botánica) s.m.• pluma s.f.• tratamiento s.m.• título s.m.• uso s.m.v.• adaptar a la moda v.• cortar a la moda v.• intitular v.• peinar v.
I staɪl1) c ua) ( manner of acting) estilo mto cramp somebody's style — inhibir or cohibir* a alguien, limitar a alguien en su libertad de acción
b) (Art, Lit, Mus) estilo min the style of William Morris — al estilo or a la manera de William Morris
2) u ( elegance) estilo mto liveavel in style — vivir/viajar a lo grande
3)a) c (type, model) diseño m, modelo mb) u c ( fashion) moda fc) c ( hair style) peinado m
II
1) (design, shape) \<\<car/furniture/clothes\>\> diseñar2) (name, designate) (frml) llamar[staɪl]1. N1) (Mus, Art, Literat) estilo m2) (=design, model) estilo m3) (=mode) estilo mmanagement style — estilo m administrativo
style of living — estilo m de vida
in the Italian style — al estilo italiano, a la italiana
that's the style! — ¡así se hace!, ¡muy bien!
this is a lesson in economics, nineties style — esta es una lección de economía al estilo de los noventa
house 3.6 March, old/new style — 6 de marzo, según el calendario juliano/gregoriano
4) (=elegance) estilo mto do sth in style — hacer algo por todo lo alto or a lo grande
they celebrated in style — lo celebraron por todo lo alto or a lo grande
to live in style — vivir por todo lo alto or rodeado de lujo
5) (=fashion) moda fto go out of style — [mode of dress] pasar de moda
they spent money like it was going out of style * — hum gastaban dinero a troche y moche or como si fuera agua
she was drinking vodka like it was going out of style — bebía vodka como si se estuviera acabando el mundo
6) * (=way of behaving) estilo mcramp I, 1.7) (also: hairstyle) peinado m8) (=form of address) título m2. VT1) frm (=call, designate)the headmaster is styled "rector" — al director se le llama "rector"
self-styledhe styles himself "Doctor" — se hace llamar "Doctor"
2) (=design) [+ clothes, car, model] diseñarJackie's hair was styled by... — Jackie ha sido peinada por...
3) (Typ) [+ manuscript] editar (siguiendo el estilo de la editorial)3.CPDstyle book N — (Typ) libro m de estilo
style guru * N — gurú mf de la moda
style sheet N — (Comput) hoja f de estilo
* * *
I [staɪl]1) c ua) ( manner of acting) estilo mto cramp somebody's style — inhibir or cohibir* a alguien, limitar a alguien en su libertad de acción
b) (Art, Lit, Mus) estilo min the style of William Morris — al estilo or a la manera de William Morris
2) u ( elegance) estilo mto live/travel in style — vivir/viajar a lo grande
3)a) c (type, model) diseño m, modelo mb) u c ( fashion) moda fc) c ( hair style) peinado m
II
1) (design, shape) \<\<car/furniture/clothes\>\> diseñar2) (name, designate) (frml) llamar -
5 style
1. noun1) Stil, der; (in conversation) Ton, der; (in performance) Art, die; (of habitual behaviour) Art, diethat's the style! — so ist es richtig!
be bad or not good style — schlechter od. kein guter Stil sein
it's not my style [to do that] — das ist nicht mein Stil
dress in the latest/modern style — sich nach der neuesten/neuen Mode kleiden
2) (superior way of living, behaving, etc.) Stil, derin the grand style — im großen Stil
3) (sort) Art, die2. transitive verbstyle of music — Musikrichtung, die
(design) entwerfenelegantly styled clothes — elegant geschnittene Kleidung
* * *1. noun1) (a manner or way of doing something, eg writing, speaking, painting, building etc: different styles of architecture; What kind of style are you going to have your hair cut in?; a new hairstyle.) der Stil2) (a fashion in clothes etc: the latest Paris styles; I don't like the new style of shoe.) der Stil3) (elegance in dress, behaviour etc: She certainly has style.) der Stil2. verb1) (to arrange (hair) in a certain way: I'm going to have my hair cut and styled.) modisch schneiden2) (to design in a certain style: These chairs/clothes are styled for comfort.) entwerfen•- academic.ru/71513/stylish">stylish- stylishly
- stylishness
- stylist
- in style* * *[staɪl]I. nhis office is very utilitarian in \style sein Büro ist sehr praktisch eingerichtet\style of life Lebensstil m, Lebensweise f\style of teaching Unterrichtsstil min the \style of sb/sth im Stil von jdm/etwin the Gothic \style ARCHIT, ART im gotischen Stilto have real \style Klasse [o Format] habento have no \style keinen Stil habenit takes \style to make a mistake like that and still go on to win es braucht schon Format, so einen Fehler zu machen und trotzdem noch zu gewinnen▪ in [or with] \style stilvollto do things in \style alles im großen Stil tunto live in [grand [or great]] \style auf großem Fuß lebento travel in \style mit allem Komfort [ver]reisenthe latest \style die neueste Mode, der letzte Schrei famto be in \style Mode [o modisch] seinto be out of \style aus der Mode kommenII. vt1. (arrange)to \style a car ein Auto entwerfento \style hair die Haare frisierenelegantly \styled jackets elegant geschnittene Jacken2. (designate)* * *[staɪl]1. na poem in the Romantic style — ein Gedicht nt im Stil der Romantik
he won in fine style — er gewann souverän or überlegen
in his own inimitable style (iro) — in seiner unnachahmlichen Art or Manier, auf die ihm typische Art
that house is not my style — so ein Haus ist nicht mein Stil
hillwalking is not his style —
2) (= elegance) Stil mthe man has (real) style — der Mann hat Klasse or Format
3) (= sort, type) Art fa new style of house/car etc — ein neuer Haus-/Autotyp etc
just the style of car I like — ein Auto, wie es mir gefällt
these coats are available in two styles — diese Mäntel gibt es in zwei verschiedenen Schnittarten or Macharten
all the latest styles —
2. vt1) (= designate) nennenit is styled for comfort, not elegance — es ist auf Bequemlichkeit und nicht Eleganz zugeschnitten
* * *style [staıl]A s1. Stil m, Art f, Typ m2. Stil m, Art f und Weise f, Manier f:style of singing Gesangsstil;3. (guter) Stil:in style stilvoll ( → A 6, A 7)4. SPORT Stil m, Technik f5. (Lebens)Stil m, Lebensart f:in good style stil-, geschmackvoll;in bad style stil-, geschmacklos;live in great style auf großem Fuße leben6. vornehme Lebensart, Eleganz f, Stil m:in style vornehm ( → A 3, A 7);have style Stil haben;put on style US umg vornehm tun7. Mode f, Stil m:in style modisch ( → A 3, A 6)in all sizes and styles in allen Größen und Ausführungen9. (literarischer) Stil10. (Kunst-, Bau) Stil m:be in the style of sich im Stil anlehnen an (akk);in proper style stilechtb) WIRTSCH, JUR Firma f, (Firmen)Bezeichnung f:under the style of unter dem Namen …, WIRTSCH unter der Firma …b) (Schreib-, Ritz-)Stift mc) Radiernadel f, Stichel md) Nadel f (eines Plattenspielers)e) Feder f (eines Dichters)13. MED Sonde f14. Zeiger m (einer Sonnenuhr)15. Zeitrechnung f, Stil m:16. TYPO (Schrift)Stil m und Orthografie f17. BOT Griffel m18. ANAT Griffelfortsatz mB v/t1. betiteln, anreden, (be)nennen, bezeichnen2. a) (nach der neuesten Mode) entwerfen, (modisch) zuschneiden:b) WIRTSCH, TECH entwerfen, gestaltenc) WIRTSCH US umg in Mode bringen, (dem Käufer) schmackhaft machen* * *1. noun1) Stil, der; (in conversation) Ton, der; (in performance) Art, die; (of habitual behaviour) Art, diebe bad or not good style — schlechter od. kein guter Stil sein
it's not my style [to do that] — das ist nicht mein Stil
dress in the latest/modern style — sich nach der neuesten/neuen Mode kleiden
2) (superior way of living, behaving, etc.) Stil, derin style — stilvoll; (on a grand scale) im großen Stil
3) (sort) Art, die2. transitive verbstyle of music — Musikrichtung, die
(design) entwerfen* * *n.Stil -e m. v.entwerfen v. -
6 style
[staɪl] nhis office is very utilitarian in \style sein Büro ist sehr praktisch eingerichtet;\style of life Lebensstil m, Lebensweise f;\style of teaching Unterrichtsstil m;in the \style of sb/ sth im Stil von jdm/etw;in the Gothic \style archit, art im gotischen Stil;to have real \style Klasse [o Format] haben;to have no \style keinen Stil haben;it takes \style to make a mistake like that and still go on to win es braucht schon Format, so einen Fehler zu machen und trotzdem noch zu gewinnen;to do things in \style alles im großen Stil tun;to travel in \style mit allem Komfort [ver]reisenthe latest \style die neueste Mode, der letzte Schrei ( fam)to be in \style Mode [o modisch] sein;to be out of \style aus der Mode kommen1) ( arrange)to \style sth plan, design etw entwerfen;( shape) etw gestalten;to \style a car ein Auto entwerfen;to \style hair die Haare frisieren;elegantly \styled jackets elegant geschnittene Jacken2) ( designate) -
7 Gothic architecture
1) Общая лексика: готика2) Строительство: готическая архитектура3) Религия: (The style prevalent in Europe from the 12th to the 16th century) готическая архитектура4) Макаров: готический стиль -
8 Gothic architecture (The style prevalent in Europe from the 12th to the 16th century)
Религия: готическая архитектураУниверсальный англо-русский словарь > Gothic architecture (The style prevalent in Europe from the 12th to the 16th century)
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9 Architecture
Portugal maintains an important architectural legacy from a long history of contact with invaders and other visitors who brought architectural ideas from Western Europe and North Africa. Among the migrants were Phoenicians, Greeks, Romans, Germanic peoples, and Arabs, as well as visitors from France, Italy, Holland, Germany, Spain, and Great Britain.Architecture in Portugal has been influenced by the broad Western architectural styles, including Romanesque, Gothic, Renaissance, Baroque, and Neoclassicism. Two Portuguese architectural styles are unique, the Manueline architectural style and the Pombaline, named after the dictator the Marquis of Pombal. Pre-Roman-esque styles include early Megalithic structures, Roman styles, and Moorish or Arab styles, when Portugal was occupied by Muslims (711-1290). This period of Moorish castles and mosques, most but not all of which were razed, was followed by the Romanesque period (1100-ca. 1230), when many churches, monasteries, castles, and palaces were constructed.There followed the Gothic period (ca. 1200-1450), which was dominated by buildings for the Church, the monarchy, and the nobility. Related to Portugal's overseas empire, the kingdom's new role briefly as a world power, especially on the seas, and to the reign of King Manuel I, is the Manueline architectural style, described by scholars as "Atlantic Baroque" (ca. 1490-1520), a bold Portuguese version of late Gothic style. This was followed by styles of Renaissance and Mannerism (ca. 1520-1650), including the "Plain style," which was influenced by Castilian styles under King Felipe I.Following the period 1580 to 1640, when Spain ruled Portugal, there was restoration architecture (1640-1717) and then the Baroque style (1717-55). The largest and most unusual building from this era, the Mafra Palace, is said to be even larger than Spain's El Escorial. Following the Lisbon Earthquake of 1755, was Pombaline style (1755-1860), a blend of late Baroque and Neoclassicism, which began when Pombal's government oversaw the reconstruction of large sections of central Lisbon. Modern architecture followed this period, a style influenced in the 20th century by one of Europe's best architecture schools, the so-called Escola do Porto (School of Oporto). This school is the Faculdade de Arquitectura (School of Architecture), and alumni include celebrated architects Fernando Tavora; Álvaro Siza Vieira, designer of the Portuguese pavilion at Expo '98, Lisbon; and Eduardo Souto de Moura. Despite tragic losses of historic structures due to urban development, since the 1930s many Portuguese governments have sought to preserve and restore the remaining historic legacy of architecture. -
10 Sintra, National Palace of
Located off the main square in the town of Sintra, the National Palace is one of the country's oldest royal residences. Together with its rich mixture of architectural styles from different eras and cultures, the National Palace's long history of being the place where monarchs and councils made historic decisions makes the site today an especially appealing tourist attraction. With its origins in a 14th-century Gothic palace of the era of King Dinis (r. 1279-1325), this monument was added onto and altered in the course of the 15th century. It was in this palace that King João I made the vital decision in 1415 to send an expedition to capture Ceuta in Morocco, the beginning of Portugal's overseas empire. The most important additions to the palace, however, came between 1505 and 1520 under King Manuel I, and the Manueline architectural style was added to the original Gothic. The two massive Gothic kitchen chimneys from an earlier era were incorporated and not changed. Into the Manueline style was blended a strong Moorish art element including decorative tiles or azulejos and an adapted interior mosque, which was converted into a chapel. The National Palace contains the largest repository of the oldest azulejos, some dating to the 15th century, of any palace in Portugal. Among the unusual rooms must be counted the council room (with an ocean view), the Swan Room, and the Magpie Room, with rare, painted ceilings.Historical dictionary of Portugal > Sintra, National Palace of
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11 Sullivan, Louis Henry
SUBJECT AREA: Architecture and building[br]b. 3 September 1856 Boston, Massachusetts, USAd. 14 April 1924 Chicago, Illinois, USA[br]American architect whose work came to be known as the "Chicago School of Architecture" and who created a new style of architecture suited specifically to steel-frame, high-rise structures.[br]Sullivan, a Bostonian, studied at the Massachusetts Institute of Technology. Soon he joined his parents, who had moved to Chicago, and worked for a while in the office of William Le Baron Jenney, the pioneer of steel-frame construction. After spending some time studying at the Ecole des Beaux Arts in Paris, in 1875 Sullivan returned to Chicago, where he later met and worked for the Danish architect Dankmar Adler, who was practising there. In 1881 the two architects became partners, and during the succeeding fifteen years they produced their finest work and the buildings for which Sullivan is especially known.During the early 1880s in Chicago, load-bearing, metal-framework structures that made lofty skyscrapers possible had been developed (see Jenney and Holabird). Louis H.Sullivan initiated building design to stress and complement the metal structure rather than hide it. Moving onwards from H.H.Richardson's treatment of his Marshall Field Wholesale Store in Chicago, Sullivan took the concept several stages further. His first outstanding work, built with Adler in 1886–9, was the Auditorium Building in Chicago. The exterior, in particular, was derived largely from Richardson's Field Store, and the building—now restored—is of bold but simple design, massively built in granite and stone, its form stressing the structure beneath. The architects' reputation was established with this building.The firm of Sullivan \& Adler established itself during the early 1890s, when they built their most famous skyscrapers. Adler was largely responsible for the structure, the acoustics and function, while Sullivan was responsible for the architectural design, concerning himself particularly with the limitation and careful handling of ornament. In 1892 he published his ideas in Ornament in Architecture, where he preached restraint in its quality and disposition. He established himself as a master of design in the building itself, producing a rhythmic simplicity of form, closely related to the structural shape beneath. The two great examples of this successful approach were the Wainwright Building in St Louis, Missouri (1890–1) and the Guaranty Building in Buffalo, New York (1894–5). The Wainwright Building was a ten-storeyed structure built in stone and brick and decorated with terracotta. The vertical line was stressed throughout but especially at the corners, where pilasters were wider. These rose unbroken to an Art Nouveau type of decorative frieze and a deeply projecting cornice above. The thirteen-storeyed Guaranty Building is Sullivan's masterpiece, a simple, bold, finely proportioned and essentially modern structure. The pilaster verticals are even more boldly stressed and decoration is at a minimum. In the twentieth century the almost free-standing supporting pillars on the ground floor have come to be called pilotis. As late as the 1920s, particularly in New York, the architectural style and decoration of skyscrapers remained traditionally eclectic, based chiefly upon Gothic or classical forms; in view of this, Sullivan's Guaranty Building was far ahead of its time.[br]BibliographyArticle by Louis H.Sullivan. Address delivered to architectural students June 1899, published in Canadian Architecture Vol. 18(7):52–3.Further ReadingHugh Morrison, 1962, Louis Sullivan: Prophet of Modern Architecture.Willard Connely, 1961, Louis Sullivan as He Lived, New York: Horizon Press.DY -
12 late
1. adjective1) spät; (after proper time) verspätetbe late for the train — den Zug verpassen
the train is [ten minutes] late — der Zug hat [zehn Minuten] Verspätung
spring is late this year — dieses Jahr haben wir einen späten Frühling
late riser — Spätaufsteher, der/-aufsteherin, die
late shift — Spätschicht, die
it is late — es ist [schon] spät
have a late dinner — [erst] spät zu Abend essen
late summer — Spätsommer, der
2) (deceased) verstorben3) (former) ehemalig; vormalig4) (recent) letzt...2. adverbin late times — in letzter Zeit. See also academic.ru/88633/later">later; latest
1) (after proper time) verspätet[too] late — zu spät
they got home very late — sie kamen [erst] sehr spät nach Hause
better late than never — lieber spät als gar nicht
2) (far on in time) spätlate last century — [gegen] Ende des letzten Jahrhunderts
late in life — erst im fortgeschrittenen Alter
3) (at or till a late hour) spätwork late at the office — [abends] lange im Büro arbeiten
4) (formerly)late of... — ehemals wohnhaft in...; ehemaliger Mitarbeiter [einer Firma]
3. noun[a bit] late in the day — (fig. coll.) reichlich spät
* * *[leit] 1. adjective1) (coming etc after the expected or usual time: The train is late tonight; I try to be punctual but I am always late.) spät2) (far on in the day or night: late in the day; late at night; It was very late when I got to bed.) spät3) (dead, especially recently: the late king.) früher4) (recently, but no longer, holding an office or position: Mr Allan, the late chairman, made a speech.) ehemalig2. adverb1) (after the expected or usual time: He arrived late for his interview.) zu spät2) (far on in the day or night: They always go to bed late.) spät•- lateness- lately
- later on
- of late* * *[leɪt]I. adj<-r, -st>my bus was 20 minutes \late mein Bus hatte 20 Minuten Verspätungsorry I'm \late tut mir leid, dass ich zu spät komme [o dass ich mich verspätet habe]we apologize for the \late arrival of the bus die verspätete Ankunft des Busses bitten wir zu entschuldigeninterests will be charged for \late payment bei verspäteter Zahlung werden Zinsen fällighurry up or you'll be \late for the bus beeil dich, sonst verpasst du noch den Busto be \late for work zu spät zur Arbeit kommen2. (in the day) spätlet's go home, it's getting \late lass uns nach Hause gehen, es ist schon spätI didn't know it was that \late! ich hatte keine Ahnung, dass es schon so spät ist!what are you doing up at this \late hour? warum bist du denn noch um diese Uhrzeit [o noch zu so später Stunde] auf?what is the \latest time I can have an appointment? wann wäre der späteste Termin?is it too \late to phone Jean? kann man Jean um diese Uhrzeit noch anrufen?I'm sorry the call is so \late tut mir leid, dass ich so spät [noch] anrufe\late last night she phoned me sie rief mich gestern Abend ganz spät noch anthis part of town gets quite dangerous \later at night zu später Stunde wird es in diesem Stadtteil ziemlich gefährlicha \late breakfast/lunch ein spätes Frühstück/Mittagessen\late news Spätnachrichten plhere is a \late news flash jetzt noch ein paar Spätnachrichtento keep \late hours shops lange [o spät] geöffnet haben\late opening hours lange Öffnungszeiten\late shift Spätschicht f\late train Spätzug mshe made some \late changes to the team sie hat die Teamzusammenstellung noch kurzfristig geändertthey won the game with a \late goal sie gewannen mit einem Tor kurz vor Spielendein \later life she started painting in späteren Jahren hat sie angefangen zu malen\late tomorrow afternoon/evening/morning morgen am späten Nachmittag/Abend/Vormittagin the \late afternoon/evening spät am Nachmittag/Abend, spätnachmittags/spätabendsin the \late morning am späten Vormittagthe \late nineteenth century das ausgehende [o späte] 19. Jahrhundert\late October Ende Oktoberthe \late 70s die späten Siebzigerjahre\late strawberries Späterdbeeren plto be in one's \late thirties/twenties Ende dreißig/zwanzig seinI prefer her earlier paintings to her \later work mir gefallen ihre frühen Gemälde besser als ihr Spätwerk\late Gothic style späte Gotika \late work by Brahms ein spätes Stück von Brahmsa \late collegue of mine ein früherer [o ehemaliger] Kollege von mirthe \late Albert Einstein Albert Einsteinher \late husband ihr verstorbener Mannsome \late news has just come in that... soeben ist die Meldung hereingekommen, dass...II. adv<-r, -s>1. (after the expected time) spätthe train arrived \late der Zug hatte Verspätungsorry, I'm running a bit \late today tut mir leid, ich bin heute etwas spät dranshe married \late sie hat spät geheirateton Sundays I get up \late Sonntags stehe ich später aufcan I stay up \late tonight? darf ich heute länger aufbleiben?to work \late länger arbeitenAnn has to work \late today Ann muss heute Überstunden machen[too] \late zu späthe arrived \late er traf zu spät einthe letter arrived two days \late der Brief ist zwei Tage zu spät angekommenhe realized the truth too \late er hat die Wahrheit zu spät erkannt2. (at an advanced time) zu fortgeschrittener [o vorgerückter] Stundethere's a good film on \late heute kommt spätabends [o spät am Abend] ein guter Film\late that evening, there was knock at the door am späten Abend [o spätabends] klopfte es an der Türwe talked \late into the night wir haben bis spät in die Nacht geredetit happened \late last century, in 1998 to be exact es ist kurz vor der Jahrtausendwende passiert, um genau zu sein im Jahr 1998\late in the afternoon/at night am späten Nachmittag/Abend, spätnachmittags/spätabends\late in the evening/night spät am Abend/in der Nacht\late in the day spät [am Tag], gegen Ende des Tages; ( fig: late) spät; ( fig: at the very last moment) im [aller]letzten Augenblicktoo \late in the day ( also fig) zu spät\late in the game gegen Ende des Spiels; ( fig)it's too \late in the game to do sth es ist zu spät um etw zu tun\late in life in fortgeschrittenem Alter, spät [im Leben]he got his driver's licence \late in life er machte erst sehr spät den Führerschein\late in March/this month/this year gegen Ende März/des Monats/des Jahresto get up \late spät aufstehento stay up \late lange aufbleiben3. (recently)as \late as nochthey were using horses on this farm [until] as \late as the 1980s auf dieser Farm arbeiteten sie noch bis in die Achtzigerjahre mit Pferdenof \late in letzter Zeit▪ \late of bis vor KurzemDr. Averly, \late of Newcastle General Hospital,... Herr Dr. Averly, bis vor Kurzem noch am Allgemeinen Krankenhaus von Newcastle [tätig],...* * *[leɪt]1. adj (+er)1) spätto be late (for sth) — (zu etw) zu spät kommen
the train/bus is (five minutes) late — der Zug/Bus hat (fünf Minuten) Verspätung
dinner will be late tonight — wir essen heute Abend später; (in hotels) es wird heute Abend später serviert
he is late with his rent — er hat seine Miete noch nicht bezahlt
my period is late, I am late — meine Periode ist noch nicht da
that made me late for work —
I don't want to make you late for work — ich möchte nicht, dass du zu spät zur Arbeit kommst
due to the late arrival of... — wegen der verspäteten Ankunft... (+gen)
it's too late in the day (for you) to do that —
it's not too late to change your mind — es ist noch nicht zu spät, um es sich anders zu überlegen
2)3) hour spät; opening hours langlate train/bus — Spätzug/-bus m
at this late hour — zu so später Stunde, so spät
they work late hours —
the night was cold and the hour late — die Nacht war kalt und es war sehr spät
late potato/summer/edition/programme — Spätkartoffel f/-sommer m/-ausgabe f/-programm nt
"late opening until 7pm on Fridays" — "freitags verlängerte Öffnungszeiten bis 19 Uhr"
both my babies were late — meine Kinder sind beide nach dem Termin gekommen
late entrants to the examination will be charged £10 extra — für Nachmeldungen zur Prüfung wird eine Gebühr von £ 10 erhoben
this essay was a late entry for the competition — dieser Aufsatz wurde verspätet für den Wettbewerb eingereicht
a man in his late eighties — ein Mann hoch in den Achtzigern, ein Endachtziger
a late 18th-century building — ein Gebäude aus dem späten 18. Jahrhundert
4) (= deceased) verstorbenthe late John F. Kennedy — John F. Kennedy
5)(= former)
the late Prime Minister — der frühere or vorige Premierminister6) (= recent) jüngst7)late of No 13 White St — ehemals White St Nr. 13
2. advspätI'll be home late today — ich komme heute spät nach Hause, es wird heute spät
the train arrived/was running eight minutes late — der Zug hatte acht Minuten Verspätung
late last century/in the year — (gegen) Ende des letzten Jahrhunderts/Jahres
they scored late in the second half —
we decided rather late in the day to come too — wir haben uns ziemlich spät entschlossen, auch zu kommen
he left it very late in the day (to decide) — er hat (mit seiner Entscheidung) bis zum letzten Augenblick gewartet
* * *late [leıt]1. spät:at a late hour spät (a. fig), zu später Stunde;keep late hours spät aufstehen und spät zu Bett gehen;late riser Spätaufsteher(in), Langschläfer(in);be on late shift Spätschicht oder -dienst haben;it’s getting late es ist schon spät;2. vorgerückt, spät…, Spät…:late summer Spätsommer m;Late Latin Spätlatein n;the late 18th century das späte 18. Jh.;late work Spätwerk n (eines Künstlers);she is (a woman) in her late sixties sie ist hoch in den Sechzigern, sie ist eine Endsechzigerin3. verspätet, zu spät:a) zu spät kommen, sich verspäten, spät dran sein,b) Verspätung haben (Zug etc),c) im Rückstand sein;be late for dinner zu spät zum Essen kommen;be 10 minutes late 10 Minuten zu spät kommen;you’ll be late for your own funeral umg hum du kommst noch zu deinem eigenen Begräbnis zu spät;it is too late es ist zu spät4. letzt(er, e, es), jüngst(er, e, es), neu:the late war der letzte Krieg;the latest fashion die neueste Mode;the latest news die neuesten Nachrichten;his latest work sein jüngstes Werk;5. a) letzt(er, e, es), früher(er, e, es), ehemalig, vormalig:our late enemy unser ehemaliger Feind;the late government die letzte Regierung;my late residence meine frühere Wohnung;late of Oxford früher in Oxford (wohnhaft)b) verstorben:B adv1. spät:as late as last year erst oder noch letztes Jahr;better late than never lieber spät als gar nicht;see you later auf bald!, bis später!;later on später;late last month Ende letzten Monats;late in the day umg reichlich spät, ein bisschen spät;2. zu spät:the train came late der Zug hatte Verspätung* * *1. adjective1) spät; (after proper time) verspätetthe train is [ten minutes] late — der Zug hat [zehn Minuten] Verspätung
late riser — Spätaufsteher, der/-aufsteherin, die
late shift — Spätschicht, die
it is late — es ist [schon] spät
have a late dinner — [erst] spät zu Abend essen
late summer — Spätsommer, der
2) (deceased) verstorben3) (former) ehemalig; vormalig4) (recent) letzt...2. adverbin late times — in letzter Zeit. See also later; latest
1) (after proper time) verspätet[too] late — zu spät
they got home very late — sie kamen [erst] sehr spät nach Hause
2) (far on in time) spätlate last century — [gegen] Ende des letzten Jahrhunderts
3) (at or till a late hour) spätbe up/sit up late — bis spät in die Nacht od. lange aufbleiben
work late at the office — [abends] lange im Büro arbeiten
4) (formerly)late of... — ehemals wohnhaft in...; ehemaliger Mitarbeiter [einer Firma]
3. noun[a bit] late in the day — (fig. coll.) reichlich spät
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13 Alcobaça, Monastery of
Located in Alcobaça, Leiria district, this is Portugal's largest church and premier religious monument in Gothic style. Alcobaça was established by the first Portuguese king, Afonso Henriques, in the 12th century. According to tradition, its foundation followed the king's wish after the relief of the town of Santarém from the Moors. The king chose Cistercian monks, recently arrived from France, to oversee the project and administer the establishment. Construction of what became a Cistercian abbey and church began only in 1178. After many delays, the church was finally completed and dedicated in 1252, although parts of the building were unfinished. The massive structure is in the shape of a Latin cross, and the naves are over 60 feet high. Various Portuguese kings and their families are buried in Alcobaça; here also are the famous tombs of the ill-fated Dona Inês de Castro and King Pedro I.Among 18th-century visitors and travelers who made the beauty and wonder of Alcobaça famous in England and elsewhere was the wealthy English eccentric and writer William Beckford, whose 1835 account of his visits to Alcobaça, in effect, put Portugal on the map of English travelers henceforth. -
14 Gilbert, Cass
SUBJECT AREA: Architecture and building[br]b. 24 November 1859 Zanesville, Ohio, USAd. 17 May 1934 Brockenhurst, Hampshire, England[br]American architect who designed a variety of high-quality, large-scale public buildings in eclectic mode.[br]Gilbert travelled widely in Europe before returning to the USA to join the well-known firm of McKim, Mead \& White, for whom he designed the Minnesota State Capitol at Saint Paul (1896–1903). This building, like the majority of Gilbert's work, was in classical form, the great dome modelled on that of Saint Peter's Basilica in Rome. Other designs, on similar classical themes, included his large US Customs House in New York (1907). The structure for which Gilbert is best known, however, was an adaptation of French Gothic style to a sixty-storeyed skyscraper. This was the Woolworth Building, an office tower of romantic silhouette in downtown New York (1913). In contra-distinction to the high-rise designs of Louis Sullivan, who broke new ground in relating the design of the building to the verticality of the structure, Gilbert continued the skyscraper pattern of earlier years by clothing the steel structure in eclectic manner unrelated to the form beneath. The result, if backward-looking, is an elegant, attractive and familiar part of the New York skyline.[br]Further ReadingW.H.Jordy, 1976, American Buildings and their Architects, Vol. 3, Garden City, New York: Anchor.W.Weisman, 1970, The Rise of American Architecture, New York: Praeger.DY -
15 Santa Maria dei Frari
Религия: Санта-Мария деи Фрари, (Franciscan church in Venice, originally built in the mid-13th century but rebuilt in Gothic style in the 15th century) собор Санта-Мария деи Фрари -
16 Santa Maria Novella
Религия: Санта Мария Новелла во Флоренции, (Italian Gothic-style church of the Dominicans in Florence) собор Санта Мария Новелла во Флоренции -
17 Wren, Sir Christopher
SUBJECT AREA: Architecture and building[br]b. 20 October 1632 East Knoyle, Wiltshire, Englandd. 25 February 1723 London, England[br]English architect whose background in scientific research and achievement enhanced his handling of many near-intractable architectural problems.[br]Born into a High Church and Royalist family, the young Wren early showed outstanding intellectual ability and at Oxford in 1654 was described as "that miracle of a youth". Educated at Westminster School, he went up to Oxford, where he graduated at the age of 19 and obtained his master's degree two years later. From this time onwards his interests were in science, primarily astronomy but also physics, engineering and meteorology. While still at college he developed theories about and experimentally solved some fifty varied problems. At the age of 25 Wren was appointed to the Chair of Astronomy at Gresham College in London, but he soon returned to Oxford as Savilian Professor of Astronomy there. At the same time he became one of the founder members of the Society of Experimental Philosophy at Oxford, which was awarded its Royal Charter soon after the Restoration of 1660; Wren, together with such men as Isaac Newton, Robert Hooke, John Evelyn and Robert Boyle, then found himself a member of the Royal Society.Wren's architectural career began with the classical chapel that he built, at the request of his uncle, the Bishop of Ely, for Pembroke College, Cambridge (1663). From this time onwards, until he died at the age of 91, he was fully occupied with a wide and taxing variety of architectural problems which he faced in the execution of all the great building schemes of the day. His scientific background and inventive mind stood him in good stead in solving such difficulties with an often unusual approach and concept. Nowhere was this more apparent than in his rebuilding of fifty-one churches in the City of London after the Great Fire, in the construction of the new St Paul's Cathedral and in the grand layout of the Royal Hospital at Greenwich.The first instance of Wren's approach to constructional problems was in his building of the Sheldonian Theatre in Oxford (1664–9). He based his design upon that of the Roman Theatre of Marcellus (13–11 BC), which he had studied from drawings in Serlio's book of architecture. Wren's reputation as an architect was greatly enhanced by his solution to the roofing problem here. The original theatre in Rome, like all Roman-theatres, was a circular building open to the sky; this would be unsuitable in the climate of Oxford and Wren wished to cover the English counterpart without using supporting columns, which would have obscured the view of the stage. He solved this difficulty mathematically, with the aid of his colleague Dr Wallis, the Professor of Geometry, by means of a timber-trussed roof supporting a painted ceiling which represented the open sky.The City of London's churches were rebuilt over a period of nearly fifty years; the first to be completed and reopened was St Mary-at-Hill in 1676, and the last St Michael Cornhill in 1722, when Wren was 89. They had to be rebuilt upon the original medieval sites and they illustrate, perhaps more clearly than any other examples of Wren's work, the fertility of his imagination and his ability to solve the most intractable problems of site, limitation of space and variation in style and material. None of the churches is like any other. Of the varied sites, few are level or possess right-angled corners or parallel sides of equal length, and nearly all were hedged in by other, often larger, buildings. Nowhere is his versatility and inventiveness shown more clearly than in his designs for the steeples. There was no English precedent for a classical steeple, though he did draw upon the Dutch examples of the 1630s, because the London examples had been medieval, therefore Roman Catholic and Gothic, churches. Many of Wren's steeples are, therefore, Gothic steeples in classical dress, but many were of the greatest originality and delicate beauty: for example, St Mary-le-Bow in Cheapside; the "wedding cake" St Bride in Fleet Street; and the temple diminuendo concept of Christ Church in Newgate Street.In St Paul's Cathedral Wren showed his ingenuity in adapting the incongruous Royal Warrant Design of 1675. Among his gradual and successful amendments were the intriguing upper lighting of his two-storey choir and the supporting of the lantern by a brick cone inserted between the inner and outer dome shells. The layout of the Royal Hospital at Greenwich illustrates Wren's qualities as an overall large-scale planner and designer. His terms of reference insisted upon the incorporation of the earlier existing Queen's House, erected by Inigo Jones, and of John Webb's King Charles II block. The Queen's House, in particular, created a difficult problem as its smaller size rendered it out of scale with the newer structures. Wren's solution was to make it the focal centre of a great vista between the main flanking larger buildings; this was a masterstroke.[br]Principal Honours and DistinctionsKnighted 1673. President, Royal Society 1681–3. Member of Parliament 1685–7 and 1701–2. Surveyor, Greenwich Hospital 1696. Surveyor, Westminster Abbey 1699.Surveyor-General 1669–1712.Further ReadingR.Dutton, 1951, The Age of Wren, Batsford.M.Briggs, 1953, Wren the Incomparable, Allen \& Unwin. M.Whinney, 1971, Wren, Thames \& Hudson.K.Downes, 1971, Christopher Wren, Allen Lane.G.Beard, 1982, The Work of Sir Christopher Wren, Bartholomew.DY -
18 title
1. n заглавие, названиеGothic title — заглавие, напечатанное готическим шрифтом
title of nobility — дворянское звание; дворянский титул
serial title — заглавие серии, серийное заглавие
2. n имяto go by the title of … — быть известным под именем …
3. n книга; название; издание4. n титул, званиеrecord title — правовой титул, подтверждаемый документально
first-class title — безупречный, бесспорный правовой титул
5. n спорт. звание чемпионаtitle fight — финальная встреча, бой за звание чемпиона
6. n правоtitle deed — документ, подтверждающий право собственности
title by possession — право, вытекающее из факта владения
lucrative title — право, приобретенное безвозмездно
7. n основаниеhe has a title to a place among the greatest poets — есть все основания считать его одним из величайших поэтов
8. n возможностьthese three offices gave him a title to remodel the state — эти три должности дали ему возможность перестроить государство
9. n кино надпись, титрtitle cartoon — рисованная надпись, рисованный титр
end title — титр «конец»
superimposed title — впечатанная надпись, субтитр
10. n юр. правооснование; правовой титулdoubtful title — сомнительный титул, небесспорный титул
11. n юр. право собственностиfinders are keepers unless title is proven — тот, кто нашёл вещь, становится её владельцем, если никто другой не докажет права собственности на неё
onerous title — право, приобретенное безвозмездно
12. n юр. степень чистоты золота, проба золота13. a одноимённый14. a крупный15. v давать заглавие, озаглавливать16. v называть, величать; титуловать17. v присваивать титул, звание18. v кино снабжать титрамиСинонимический ряд:1. claim (noun) claim; deed; due; holding; pretence; pretense; pretension; right2. commission (noun) championship; commission; crown; decoration; degree; medal; privilege3. grade (noun) grade; rank; station4. interest (noun) interest; portion; stake5. name (noun) appellation; appellative; cognomen; compellation; denomination; designation; epithet; name; nomen; rubric; style; term6. ownership (noun) dominion; ownership; possession; proprietorship7. work (noun) opus; publication; volume; work8. name (verb) baptise; baptize; call; christen; denominate; designate; dub; entitle; label; name; style; term -
19 Belém, Tower of
Built during the country's early imperial age when Portugal was a world maritime power, the Tower of Belém (Torre do Belém) in Lisbon was constructed as a defense against maritime attack in the Tagus River. This historic stone tower, one of Portugal's most perfect Manueline architectural style monument-treasures, was begun in 1515 by order of King Manuel I. The first architect was the military architect Francisco Arruda, and the tower was built in the River Tagus.With changes in tides, time, and the shoreline since, the tower today rests close to the Belém shoreline. The tower was built to accommodate a garrison, a prison, and artillery to ward off pirates and other raiders coming from the Atlantic up the Tagus River. Eclectic in architectural style, the tower's styles include Roman-Gothic and Manu-eline, with touches of Venetian and Moroccan influence. Located not far from the massive Monastery of Jerónimos convent, the tower is square and is surrounded by a polygonal bulwark, as well as by walls facing the Tagus. Centuries after its use in defense had ceased, the tower in its restored state became a memorable symbol of Portugal's Age of Discoveries and expansion, as well as a much-photographed icon in tourist literature. -
20 Bentley, John Francis
SUBJECT AREA: Architecture and building[br]b. 30 January 1839 Doncaster, Yorkshire, Englandd. 2 March 1902 Clapham, London, England[br]English architect who specialized chiefly in ecclesiastical building, especially Roman Catholic churches.[br]Bentley's work was of high quality, particularly with regard to the decorative materials and finish. Notable among his churches was the Church of the Holy Rood (begun in 1887) at Watford, which is in Gothic Revival style, with fine decorative materials.Bentley's chef-d'oeuvre is the Roman Catholic Cathedral of Westminster in London: begun in 1895, the shell was completed in 1903. He based the banded pattern of the exterior upon the Italian medieval cathedrals of Siena and Orvieto, but at Westminster the banding is in red brick and white stone instead of marble. The cathedral interior is Byzantine in style, with pendentive construction. Built of load-bearing brick, with the saucer domes inside being made of concrete strengthened with brick inserts, there is no steel reinforcement: in choosing this type of structural material, Bentley was more closely following ancient Roman technology than modern use of concrete. The intention was to have all surfaces clad in mosaic of marble, but sadly only a portion of this has yet been achieved.[br]Principal Honours and DistinctionsBentley was nominated in 1902 to receive the RIBA Gold Medal but died before the presentation ceremony.Further ReadingW.de l'Hopital, 1919, Westminster Cathedral and its Architect, Hutchinson.DY
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